Bright pop · I–V–vi–IV
C · G · Am · F
PIANOLIA TOOLS / 01
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01 / THE BASICS
A chord combines several notes played together. Start with triads: three notes, a root, a third and a fifth. On the piano, C major is C–E–G; A minor is A–C–E.
Count semitones, including both white and black keys. A major chord uses 4 semitones followed by 3. A minor chord reverses this: 3 followed by 4. The root gives the chord its name.
C = Do · D = Ré · E = Mi
F = Fa · G = Sol · A = La · B = Si
“m” means minor. “7” adds a minor seventh to a major triad: G7 = G–B–D–F. “maj7” means a major seventh: Cmaj7 = C–E–G–B.
02 / FIND A MOOD
A progression is a sequence of chords that forms a piece’s harmonic foundation. Roman numerals show each chord’s position in the key. In C major, I = C, IV = F, V = G and vi = Am. These labels let you transpose the same idea into another key.
C · G · Am · F
Am · F · C · G
Dm7 · G7 · Cmaj7 · Cmaj7
Play a bass note with your left hand and a chord with your right, then try arpeggios. The same sequence can feel gentle or energetic depending on tempo and accents.
In Dm7–G7–Cmaj7, the tension of degree V resolves to degree I. Keep shared notes between chords and listen to the movement of thirds and sevenths.
Rhythm changes everything: short offbeat chords for reggae, steady arpeggios for a classical feel, and alternating bass notes with syncopated chords to explore ragtime. The progression gives you a framework; your touch brings the style.
03 / YOUR FIRST BLUES
Traditional major blues often uses three dominant seventh chords: I7, IV7 and V7. In C, these are C7, F7 and G7. Here is a common form: each cell represents one bar of four beats.
Start slowly with the root in your left hand and the chord in your right. Then give eighth notes a long–short feel to explore shuffle. For improvisation, try C–E♭–F–G♭–G–B♭, the C blues scale. E♭ creates expressive tension over C7: resolve phrases to a chord tone.
04 / FAMILIAR SOUNDS
Recognising a progression helps you understand what you play. These simplified harmonic excerpts offer a starting point at the piano; arrangements, inversions and the timing of changes vary between versions.
C · G · Am · F
Verse opening · C major · I–V–vi–IV.
See the reference chord chart ↗D · A · Bm · F♯m · G · D · G · A
Simplified ostinato in D major.
Explore the reference lesson ↗05 / TURN CHORDS INTO MUSIC
Keep a slow, steady pulse. First play each chord’s root with your left hand, then add its other notes. With your right hand, pick two or three chord tones and invent a short phrase. Repeat it, changing only the last note for the next chord.
An inversion places another chord tone at the bottom. C–E–G, E–G–C and G–C–E are all C major chords. Look for positions requiring the least movement to make transitions feel more natural.
A FEW POINTERS
Choose a key, major or minor, a style and a level. The progression updates immediately. Select “Generate another progression” to explore a new idea, then “Play progression”. Click any chord to see its notes and hear it on its own.
Yes. Use this page for free without signing up. Generation and playback run in your browser. The Impro workshop then offers a guided path through chords, melodies and accompaniment.
A major triad contains a root, a major third and a perfect fifth: C–E–G. Lower the third by one semitone to make a minor triad: C–E♭–G. This changes the chord’s colour.
No. Click the play button to hear the piano in your browser. Then play the displayed notes on your piano or keyboard.
The generator explores variations based on degrees I, IV and V. To start with a fixed twelve-bar structure, use “Try this progression” in the blues section.